This page is dedicated to Chicago tenor saxophone legend Earl Lavon "Von" Freeman (b. Oct 3, 1922). |
A short biography of Von Freeman: At age 16 Von played tenor in Horace Henderson's big band for a year. He was drafted into the Navy during WWII and after his return to Chicago he played with his brothers George on guitar and Bruz (Eldrige) on drums at the Pershing Hotel Ballroom. Various leading jazzmen such as Charlie Parker, Roy Eldridge and Dizzy Gillespie played there with the Freeman's as the backing band. In the early 50s Von played in Sun Ra's band. Von's first venture into the recording studio was for Andrew Hill's second single on the Ping label. He did some recording for Vee Jay with Jimmy Witherspoon and Al Smith in the late fifties and appeared and was recorded at a Charlie Parker tribute concert in 1970. It was not until 1972 that Von first recorded under his own name with the support of Roland Kirk. His next effort was a marathon session in 1975 released over 2 albums by Nessa. Since then his recordings have included 3 albums with his son, the tenorist Chico Freeman. Von is considered a founder of the Chicago school of jazz tenorists along with Gene Ammons, Johnny Griffin and Clifford Jordan. Von's recorded output is not prolific for his years on the scene, in fact it has probably taken off most in the last ten years or so. His vinyl LPs can be hard to track down especially those that have not yet received CD release, but he still lives in Chicago and can be caught playing live there on a regular basis. |
NEWS:
RIP - Chicago drummer and Von's long time friend and collaborator Wilbur Campbell died Thursday, Dec. 30, aged 73 at his South Side home Von has released a new CD, a tenor duet with Ed Petersen, called
"Von
and Ed" on Delmark.
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Von Freeman's 75th Birthday Tribute --Chicago -August
30, 1997 by Ken Waxman
"People ask me why I didn't leave Chicago?" queried tenor saxophonist Von Freeman, at centre stage on The Petrillo Bandshell for his 75th birthday tribute as the Saturday night finale of this year's Chicago Jazz Festival. "It's because I love Chicago and it loves me," he concluded. And then the gray-haired, loquacious, patriarch of the city's jazz musicians, proceeded to play a hearty chorus of "I Hear A Rhapsody," before introducing the other musicians on stage. Indeed the love and respect Freeman takes as his due could be seen not only in the rapturous response to his appearance, which came from the thousands of fans gathered in Chicago's Grant Park for the 19th annual edition of the festival, but also from the musicians who participated in the tribute. Prominent among them at first was seasoned club vocalist Bettye Jean Reynolds, who has been part of the Freeman nightclub "show" for years and his brother, guitarist George Freeman, "who has been with me all his life," as Von declared. That crew, backed by Chicago piano legend John Young, sporting his trademark white cap; young bassist Rob Amster and veteran, but still many years Freeman's junior, drummer Mike Raynor performed their distinctive versions of a couple of jazz standards. Then it was star time. Welcoming his son, New York-based tenor saxophonist Chico Freeman, Von allowed that he thought of all his musicians as if they were members of his family "like George Freeman ... Bettye Jean Freeman ... John Freeman ... Mike Freeman... Rob Freeman and ... Jack DeJohnette Freeman." Just then surprise guest drummer Jack DeJohnette, another former Chicagoan strolled on stage. With DeJohnette taking his place behind Raynor's drumkit, this new grouping went through a version of "Softly In A Morning Sunrise," with plenty of solo space for everyone. Joined by diminutive trumpeter Brad Goode and with Young yielding his piano bench to AACM founder Jodie Christian, the group subsequently swung through "Speak Low". And that was a comment that could never be attributed to Von, who likes to keep a level of dialogue going at all times, no matter the topic. After another tune that featured up-and-coming alto saxophonist Rudi Mahanthappa, who like Von helps organize jam sessions throughout the city, scat singer Kurt Elling, wandered on stage. Antimately waving his outstretched hands, he led the massed players through a ragged version of "Happy Birthday To You". Soon the crowd was on its feet demanding an encore as Von acknowledged the applause. Calling for silence and joking that "the polices" would soon be called if the gathering didn't behave itself, Von graciously thanked everyone involved in his tribute, and retreated offstage playing an a cappella version of "Red Top", the old Gene Ammons hit from the 1940s. Earlier dapper Von had confessed jocularly that "I was going to get a new suit and tie for the occasion. But then I figured doing what I did before this got me here in the first place, so why do it?" He was right. The concert was a long overdue tribute to one of the world's many journeymen jazz musicians. These local legends are the ones who stick close to home, keeping the music alive and playing in as many situations as they can find. Freeman's distinctive, burry tone and open mind have over the years allowed him to work with stylists as disparate as Sun Ra and Horace Henderson and with innovators as notable as Charlie Parker and Muhal Richard Abahams. Yet while the past couple of decades has finally seen his work committed to LP and CD in different settings, his ultimate legacy may be the jam sessions he led and continues to lead all over the city . Those sessions, which have been going on for more than 40 years and which have encouraged and inspired scores of young players, some of whom shared the stage with him that night, are as important as any universal fame or encyclopedia reference. Copyright (c) Ken Waxman 1997
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DISCOGRAPHY/SESSIONOGRAPHY |
Rec. October 23, 1950 at the Pershing Hotel Ballroom, Chicago.
Inferior sound because the tape was recorded off of a dressing room speaker,
and some items are marred by conversation.
Charlie Parker (as), unknown (voc 1), Von Freeman (ts), George Freeman
(g), Chris Anderson (p), Leroy Jackson (b), Bruz Freeman (d)
Early set:
Indiana
I Can't Get Started
Anthropology
Out of Nowhere
Get Happy
Late set:
Hot House
Embraceable You -1
Body and Soul -1
Cool Blues
Stardust -1 [inc]
All the Things You Are [inc]
Billie's Bounce
Pennies from Heaven [inc]
Last set:
There's a Small Hotel
These Foolish Things [inc]
Keen and Peachy [inc]
Hot House [inc]
Swivel Hips (perv. IDed as Bird, Bass, and Out) [inc]
Goodbye [inc]
BIRD SEED
Stash CD STB 2500
Recorded in the Pershing Hotel, Chicago on October 23, 1950 where the
Von Freeman group was the house band.
Charlie Parker (as), unknown (voc), Von Freeman (ts), unknown (tb),
George Freeman (g), Chris Anderson (p), Leroy Jackson (b), Bruz Freeman
(d)
Pennies from Heaven (Johnston/Burke) (2:55)
Note: This is session no. 133 in John C. Burton's Charlie Parker discography. Robert Campbell informs me that the last set which contains Swivel Hips, a song composed by Claude McLin and recorded by his band for Chess and therefore that makes it pretty unlikely that Von was in the band for that set.
1. Indiana (5:57)
2. I Can't Get Started with Country Gardens Tag (2:49)
3. Anthropology (5:20)
4. Out of Nowhere (2:48)
5. Get Happy (5:36)
6. Hot House (5:06)
7. Embraceable You (2:01)
8. Body and Soul (2:16)
9. Cool Blues (3:15)
10. Stardust (:57) - v
11. All the Things You Are (3:08) - v
12. Billie's Bounce (3:13)
13. Pennies From Heaven (3:21)
Notes from Robert Campbell: Edited to Bird solos. I don't
think this is the same night as the following, more famous, session, but
likely the same gig.
Info from Bregman, Bukowski and Saks, The Charlie Parker Discography,
published by Cadence Jazz Books, 1993:
All titles from the first two sets were released on Zim ZM 1003 (LP)
and JUTB CD 3008. All titles from the last set released on Savoy LP SJL
1132 and Savoy
CD 4423 as well as JUTB CD 3008. Partial titles (prob. just "There's
a Small Hotel, which runs 10 or 11 minutes) on Savoy Jazz CD-0154.
1. There's a Small Hotel (10:09)
2. These Foolish Things (2:06)
3. Keen and Peachy (4:53)
4. Hot House (9:00)
5. Bird, Bass and Out (Rhythm tune) (3:34)
6. Goodbye (with voiceover) (3:08)
Notes from Robert Campbell: This set was issued in 1960 in edited form by Savoy (MG 12152) as "An Evening at Home with the Bird," which has been reissued on CD by Denon and includes items 1-4 with some editing and duplicating. An excellent live session. The recordings of the horns and guitar are very good fidelity. A definitive version of Hot House. On the original issue, the tenor solo was repeated on Small Hotel, as was Bird's solo on Foolish Things, and the closing Keen and Peachy theme was grafted onto the beginning. Other solos are edited out, and appause is added. The later LP issue apppears to use the complete source tape undoctored. The tenor player could be Claude McLin. Bird, Bass and Out starts at the Bird Solo, and there is a riff head played by the Tenor. This is probably some original tune from the backup band's book with a real name. Goodby is some kind of a very morose closing theme. This may be part of the same night's performance as the previous session, but there is no overlap of tunes. I tend to doubt that is the case.
Rec. January 16, 1959, in Chicago
Jimmy Witherspoon(vo) acc. by Riley Hampton's Orchestra: John Avant
(tb), Von Freeman (ts), McKinley Easton (as, bs), Earl Washington (p),
Lefty Bates (g), Earl Backus (elg), Quinn Wilson (b), Al Duncan (d)
Kansas City (aka K.C. Loving) Vee Jay LP 1020, Co 33SX1417
Everything But You
Vee Jay 322 (45)
I Know I Know
Vee Jay CD 711
Note: Info courtesy of Armin Buetnner
Rec. Universal Recording, Chicago, March 27, 1959
Al Smith (ldr), George "Sonny" Cohn (tp), Norman Rich (as, ts), Von
Freeman (ts, arr), Lefty Bates (eg), Horace Parlan (p), McKinley Easton
(b), Quinn Wilson (b), Al Duncan (d).
59-1112 Jay's Jam
Vee Jay (unissued)
59-1113 Cool Blues
-
59-1114 Indiana
-
59-1115 South 2 West Blues
-
Notes: This information is from an Al Smith Discography by Robert Campbell
and Armin Büettner (shortly to be posted to the web). Robert
informs me that Al led the house bands at Chance (1952-1954) and Vee Jay
(1954-1959 or so). By the time this session was cut, he'd hung up the string
bass and he later became Jimmy Reed's manager and dropped out of bandleading.
Rec. Chicago, Spring 1959
Edward "Bunky" Redding (voc); Sonny Cohn (tp); Morris Brice (frh); Frank
Strozier (as); Von Freeman (ts, prob. arr); McKinley Easton (bs); Floyd
Morris (p); Lefty Bates (g); Quinn Wilson (b); Marshall Thompson (dr);
eight unidentified strings
963
Devoted To Debbie
Apex 7753, Chess 1741
964
Come On Home
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-
Note: Info from Armin Buettner who obtained it from Jepsen's Jazz Records.
1. The First Time Ever I Saw Your Face (Ewan MacColl)
4:31
2. White Sand (Von Freeman) 4:40
3. Lost In A Fog (Dorothy Fields, Jimmy McHugh)
7:47
4. Portrait of John Young (Von Freeman) 6:47
5. Doin' It Right Now (Von Freeman) 4:50
6. Catnap (Von Freeman) 4:37
7. Sweet and Lovely (Gus Arnheim, Harry Tobias, Jules
Lemare) 5:55
8. Brother George (Von Freeman) 8:07
Note: this is Von's solo recording debut
1. Mama, Papa, Brother
2. Cough It Up
3. My Scenery
4. Must Be, Must Be
5. Birth Sign
6. Hoss
7. My Ship
1. Serenade In Blue (Glenn Miller)
2. After Dark (Von Freeman)
3. Time After Time (Jule Styne & Sammy Cahn)
4.. Von Freeman's Blues (Von Freeman)
5. I'll Close My Eyes*
Notes: *extra track on CD re-issue
1. I'll Close My Eyes (B. Reid, B. Kaye) 25:40
2. Young and Foolish (A. Hague) 17:08
3. Bye Bye Blackbird (R. Henderson) 9:20
1. Hyde Park After Dark (Clifford Jordan) 7:14
2. Your're Blase (Siever, Hamilton) 6:19
3. Lotus Blossum (Kenny Dorham) 6:11
4. Sad Sam (Norman Simmons) 6:51
5. I Waited For You (Gillespie, Russell) 5:31
6. I'm Glad There Is You (Dorsey, Maderia) 3:28
7. 20 East, 30
West (John Lewis) 6:48
1. I Can't Get Started (Vernon Duke & Ira Gershwin)
8:32
2. Paying New York Dues 20:38
3.The Shadow of Your Smile (Johnny Mandel) 6:54
4. Lover Man (Ram Ramirez) 6:32
5. Undercurrents (Cecil McBee) 14:59
6. I Remember You 5:42
7. Jug Ain't Gone 10:28
1.Twelve's It (4:20)
2.A Joy Forever (3:58)
3.Nostalgic Impressions (4:58)
4.Futuristic (4:08)
5.Lush Life (Billy Strayhorn) (4:21)
6.Jug Ain't Gone (3:50)
7.Time Marches On (5:35)
8.I Can't Get Started (Vernon Duke & Ira Gershwin)
(4:12)
9.Tribute to Our Fathers (7:40)
1. Walkin' Tuff
2. Bruz, George & Chico
3. Nature Boy
4. But Beautiful
5. Every Tub
6. How Deep Is The Ocean
7. Blues For Sunnyland
8. Little Willie Leaps
Note: this was Von's first appearance on CD
1. Liberian Girl (M. Jackson) 5:26
2. Mist (C. Freeman) 3:06
3. The Trespasser (C. Freeman) 7:00
4. House of Dreams (D. Griffin) 4:21
5. The Duty (C. Freeman, J. Brandon) 2:38
6. You'll know when You Get There (C. Freeman, E. J.. Allen) 8:18
7. Mercy, Mercy Me (The Ecology) (M. Gaye) 6:30
8. No. 7 (for Andrew Hill) (C. Freeman) 7:33
9. I Remember (J. H. Mercer, V. Schertzinger) 2:01
1. Against 2 (Steve Coleman) (5:43)
2. Mr. Lucky (Henry Mancini) (9:38)
3. Speake (Steve Coleman) (7:57)
4. Knowledge of Cult (Steve Coleman) (4:38)
5. If You Could See Me Now (Tadd Dameron, C. Sigman) (6:03)
6. Minor Step (Steve Coleman) (10:27)
7. Kahn (Greg Osby) (6:02)
8. Hey Jim! (Jams Moody, B. Gonzalez) (5:04)
9. Its You (Steve Coleman) (6:32)
10. Thebes (David Gilmore) (6:19)
1. The Shortwave
2. The Desert Rat
3. Vocal Rats
4. Swing Rat
5. Rats
6. Lost Rat
7. Cuban Rat
8. Brazilian Rats
9. Epilogue
1. The End of a Love Affair
2. I'll Remember April
1. A Nightingale Sang In Berkeley Square
2. Alone Together
3. I Love You
Au Privave
Roadies
1. There Will Never be Another You (Gordon, Warren)
7:51
2. I should Care (Stordahl, Cahn) 9:52
3. Time Was (Prado, Russell) 7:31
4. Joshua Fit The Battle of Jericho (Trad) 9:23
5. I Remember You (Mercer, Scertinger) 10:15
6. I Wish I Knew (Warren, Gordon) 6:36
7. Emanon (Gillespie, Shaw) 13:02
1. The Thin Line (B.P. Sparrow) 5:30
2. Night Music 5:38
3. A Sparrow 8:51
4. Tatsu's Groove 6:04
5. I Need Something 3:33
6. Mode For Von 10:33
7. Blank White Page 2:20
8. Sudden Duet 2:07
9. Michael's Choice 5:37
10.Clinton (George That Is) 12:12
Note: Music on tracks 2-10 improvised by the 5 musicians, in addition
#10 includes six samples from "Sample Some of Disc-Sample Some of D.A.T."
Vol. 3 by
George Clinton.
1. Man I Love, The
2. One Note Samba
3. Duid Deed
4. True
5. So Tinha De Ser Com Voce
6. Nica's Dream
7. E Hermeto
8. Bebe
9. Centerpiece
10. O Morro Nao Tem Vez
11. Agua De Beber
12. It Ain't Necessarily So
13. You Go To My Head
14. David
15. Meditation
16. Love For Sale
1. This Doesn't Happen All The Time
2. Sconsolato
3. In A Mellow Tone
4. Save Your Love For Me
5. Live!
6. Get Out Of Town
7. All Blues
8. Looking For Duke
9. Barbara Song
10. Carefully Taught
11. Minor Catastrophe
12. Sleepy
13. Beyond The Wave
14. Blue In Green
15. Nothing Like You (An Extravagant Love Song)
1. There Will Never Be Another You
2. I Should Care
3. Time Was
4. Joshua Fit The Battle Of Jericho
5. I Remember You
6. I Wish I Knew
7. Emanon
You might also like to check out:
Marcel Safier's Jazz Home Page or go straight to my other pages: David Murray Home Page - Discography/Sessionography Andrew Hill - Discography/Sessionography Charles Tolliver Discography/Sessionography I have a non-jazz Home Page as well with links to my rock music pages: Marcel
Safier's Ozemail Home Page
Ping Label Discography - by Robert L. Campbell and Leonard J. Bukowski The ACM is a collective of Chicago musicians including Chico Freeman |